Rudolf Koller (1828-1905) was a Swiss painter.  Related Paintings of Rudolf Koller :. | Die Kirche St. Remigius in Falera | Heuernte bei drohendem Gewitter | Krautgarten | Chico con caballo | Kuh |
Related Artists:
Barocci, Federico
Italian, 1535-1612 .Italian painter. The leading altar painter in Italy in the second half of the 16th century, he enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. His patrons included the Pope, Emperor, King of Spain and Grand Duke of Tuscany, and among his admirers were Lodovico Cigoli, Annibale Carracci, Rubens and Guido Reni. However, his work did not begin to receive the acclaim accorded that of Tintoretto or El Greco until the mid-20th century. Several factors have obscured his importance, notably the relative inaccessibility and scarcity of his painted works, most of which were done on commission for specific locations in remote parts of Italy (where they have remained), and the type of painting he produced, which was almost exclusively devoted to religious subjects. He executed very few easel paintings. No autograph example of his painted work has ever left Europe, the portrait of Quintilia Fischieri (c. 1600; Washington, DC, N.G.A.) and pair of portraits of Federigo Ubaldo, Prince of Urbino
Poussin
Les Andelys 1594 - Rome 1665
Johan Thorn Prikker
1868-1932 Dutch Johan Thorn Prikker Gallery Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.